I’ve been feeling a
little more down than usual lately and, as always when I’m supine in the dark
on the cellar floor, I scour the universe for reasons. This is usually a
chickie/agg exercise however, because I can never put my finger on whether it’s,
for example, the depression (aka The Black Dog – see post “The Black Dog in the
Kitchen with the Dentist") that is causing physical pain or is it the other way
around? Or is it the meds I take for pain that cause depression? Or is it the
food that causes the inflammation that causes the pain that cause the
depression? I haven’t had any more than a single glass of wine at any one
sitting for over year now. That’s pulling back from almost a fifth of sake
almost every night. (Ugh. Wait a minute! No wonder I feel fuckin strange. Where's my sake?).
It might be because I just moved into a (potentially)
gorgeous house on a long green double lot called Coon Hollow. Coon Hollow. Yep,
gonna be firin’ up the still, pickin’ some geetars, fiddles, banjos, dobros,
cuttin’ us up some chaw just a 5 minute walk from Stinson Beach, CA: 5 miles of
pristine walking sand along the mighty Pacific just south of Point Baulinas and
the Point Reyes National Seashore. There’s a small town with a real bar (as if
I give a shit about bars), a convenience store, a couple of touristy gift
shops,a bookstore, two art galleries, a
surf shop, a 4-start restaurant, a hippie health clinic, a deli, a post office
and a fire station. It’s very much like Carmel
never was or shall ever be, but the water is just as cold. I live here now with
a beautiful woman who never whines, complains or asks me to do anything I don’t
want to do, and my brown dog, Boo, who is constantly asking me to do things
that I not only don’t want to do but can’t, because as I’ve said time and time
again I am not a dog!
I wish I was a dog. I wish I was a dog because dog’s can’t read, and therefore I
would not be subjecting myself to the truly masterful fiction of Mr. Jonathan
Franzen, who, if I understand it correctly from being properly corrected in The
Corrections, being human in America is the last thing any-self respecting dog
would want to be.
Thus my depression. I had been reading The Corrections
slowly, at a dog’s pace, so I guess I wasn’t really reading much at all, since
dog’s can’t read. Oh wait. Dammit! I’m not a dog. But if I were I was not
exactly taking to it like a bone, because the only thing to bite into was this
gorgeous, lyrical prose, with character’s reading from Hollywood
filmscripts, and an almost scary command of the English language. It’s not as
if we’re not warned this might be a bit vapid. In the beginning of the section entitled
“The Failures” one of the principals (Chip) rants for 17 lines in the middle of
an already rushed conversation that concludes with the idea that he “is
personally losing the battle with a commercialized, medicated, totalitarian
modernity right this instant,” Red flags start popping up out of the top of my
head, right through the snowy rooftop, because everybody knows no real human
being, nobody you’ve ever known or will know will ever speak that way. Normal
people just don’t talk like that. When Franzen turns the volume up to 10 in the
first 1000 words it becomes pretty obvious that nothing from this point forward
is to be taken seriously, because these people aren’t to be mistaken for real
people. What a relief!
After this epiphany I continue reading and the depression
worsens. Now I’m reading about Gary, who is in major denial about his own
depression, and his wife AND kids decides that they should start monitoring his
drinking with a surveillance system in the kitchen! But wait! Does Franzen want
us to believe that this could actually happen, that there are people that
slimy? Of course not.
But by now the relentless cynicism and the suffocating
snarkiness has completely drowned out all the awesome mastery of this gifted
writer. Franzen’s effortless command of the fiction writer’s tools had me in
slackjawed wonder after the first few pages – I knew this was gonna be
important! But, like a Dirk Diggler in doe-eyed love with his giant dick,
Franzen works it, and works it, and works it until the “wow” factor is more of
an “enough already” plea. What starts as powerful cultural satire and stark
insight into human behavior quickly degenerates into a flawlessly constructed
circus of stupid people doing stupid things.
And that, my little limbolanders, is almost more depressing
than this mean-spirited, cold-hearted indictment of contemporary American
culture called The Corrections. And you, young Jonny, are to blame!
Break out the Dr. Seuss and hand me an ice cream sandwich! I’m
turning over a new leaf!
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